Re: 改標題: [討論]純攝影 v.s. 紀錄攝影

看板PhotoCritic (相片批評)作者proust1900 (ヒカルちゃん)時間18年前 (2008/02/22 07:02)推噓0(0推 0噓 0→)

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我來翻一下：Ｐ可能翻得不一定正確請指正 ※ 引述《echo (KEEP WALKING)》之銘言： : The Oxford Companion to the Photography, edited by Robin Lenman. : Straight Photography: : The term emerged in the 1880s to mean simply an unmanipulated : photographic print, in opposition to the composite prints of Henry : Peach Robinson or the soft-focus painterly images of some pictorialist : photographers. At first, straight photography was a viable choice : within pictorialism, as, for example, the work of Henry Frederick : Evans. Paul Strand's 1917 characterization of his work as "absolute : unqualified objectivity' described a change in the meaning of the : term. It came to imply a specific aesthetic typified by higher : contrast, sharper focus, aversion to cropping, and emphasis on : underlying abstract geometric structure if subjects. Some : photographers began to identify these formal elements as a language : for translating metaphysical or spiritual dimensions into visual : terms. This emphasis on the unmanipulated silver print dominated : modernist photographic aesthetics into the 1970s. 牛津攝影辭典。Robin Lenman編選純攝影：此詞首次出現於1980年代，指單純未經過控制的（底片）攝影；和Henry Peach Robinson 其經過後製、合成的照片及一些大量使用柔焦作為特徵的"Pictorialist攝影師"(?)有所不同。首先純攝影也可以被包含於生動描寫技巧之中，Henry Frederick Evans的作品就是很好的例子。Paul Strand在1917對他的作品做了以下描繪："完全不合格的客觀"，描述了這個詞意義的改變。它暗示著一個特定的審美典型取決於攝影時是否使用更高反差、更銳利的焦點、禁止格放，並且強調根本的抽象幾何結構構圖。一些攝影家開始發現並利用這些正規的基本要素來將玄學或精神上的意象納入他們的視覺條件。這是一直到1970年代以前強調未經操作的銀鹽攝影的現代攝影美學。 -- 自己翻完都有點心虛｜｜｜請大家鞭小力一點。。。 -- ※ 發信站: 批踢踢實業坊(ptt.cc) ◆ From: 212.183.134.129