[資訊] 實文件--日本當代寫真

看板PhotoCritic (相片批評)作者infoto (覆水難收)時間18年前 (2008/03/06 03:30)推噓1(1推 0噓 0→)

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※ [本文轉錄自 photo 看板] 作者: infoto (覆水難收) 看板: photo 標題: [資訊] 實文件--日本當代寫真時間: Thu Mar 6 03:29:48 2008 You are cordially invited to the Opening Reception of "Faithful Documents- Japanese Contemporary Photography" on 8th of March from 3-5pm at AKI Gallery. 也趣藝廊敬邀您參與「實文件--日本當代寫真」開幕酒會 3/8（六）3:00pm 台北市民族西路141號（捷運圓山站） AKI Gallery is going to relocate to the place that near MRT Yuan-Shan station and Taipei Fine Art Museum this March. With different inter style and huge exhibition space, AKI Gallery provides viewer a greater and more comfortable viewing experience. John Szarkowski (1925-2007). When he, curator of MoMA New York, held William Eggleston’s solo exhibition in 1976, he first bring out the word 「Faithful Documents」. This exhibition had caused the revolution of contemporary photography. Since then, the contemporary photography plays the role that more than document or just family record. 「Faithful Documents—Japanese Contemporary Photography」 not only wants to introduce the Japanese contemporary photography but also wants to bring in a new aspect for Taiwan image culture reference. 今年三月起，也趣藝廊正式搬遷至近捷運圓山站、北美館的週邊，與美術館的藝術區位串連。內部空間方面也展現不同風貌，近百坪三層樓的展覽空間，提供更充分的藝品展出與舒適享受的觀賞經驗。而伴隨新空間的首度亮相，也趣藝廊推出「實文件－日本當代寫真 Faithful Documents—Japanese Contemporary Photography」大展，為新年揭開序幕。「實文件－日本當代寫真Faithful Documents—Japanese Contemporary Photography」的「實文件Faithful Documents」一辭，來自於美國紐約MoMA攝影部門策展人John Szarkowski (1925-2007)在1976年策劃改變當代攝影觀的William Eggleston個展中的策展論述。由此展覽開始，當代彩色攝影跳脫了單純紀實或家庭照片的功能，得到更多觀念性的詮釋。Faithful Documents一辭，是再次提出讓當代攝影回歸到「紀實媒體」的本質。本展除了介紹日本當代視覺文化中攝影的表現之外，也期待透過此展，引介目前國際當代藝術給國人認識，並帶給台灣影像文化新的刺激和觀摩。策展人：黃亞紀相關活動 3/9（日） 2:30-4:30pm 演講：日本當代攝影講者：邱奕堅台灣攝影藝術學會理事日本國立東京藝術大學博士 3/22（六） 2:30-4:30pm 演講：Tokyo Design Style 講者：吳東龍自由作家設計師學學文創志業講師 -- ※ 發信站: 批踢踢實業坊(ptt.cc) ◆ From: 203.222.0.192 -- ※ 發信站: 批踢踢實業坊(ptt.cc) ◆ From: 203.222.0.192